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Forty-One is Laljos’ 25th film. Twenty years ago, FDFS saw the movie ‘Maravathoor Kanavu’ sitting in a theater called Perinthalmanna Jahanara. (That theater would later become part of history). I remember seeing it in the moonlight. I remember meeting with Meesha Madhavan, classmates, he and I many times. But soon after that, the memories of the Laljos films faded.
That means no one, not me, will ever be able to recall the experience of the book of Revelation, Thattumpurathuthan, Seven Nights and Spanish Masala. The best craftsman, Laljos, is the villain of all the demolished footage and is a weak script. Then, while he was burning the subject of the young woman’s entry into Sabarimala last year, he was announcing his 41st film, 41. Bhayam Full Movie Download
He said that Sabarimala is not only in name but also in content. Advertisements on the poster were also seen on the occasion of piety and reason. Then it is only natural to expect. But on the first day, the sight of the 41st theater turned into a damp fireworks.
Chekkunnu is a village in Kannur district. The natives there. Parallel College Teacher CK Ullas Kumar is a rationalist and leftist proponent. His personal life, social life, party life, rational interventions, and the trappings it creates are 41 in the expected format.
Throughout the first half, events were set to establish the characters of Ullas Mash, heroine luck and another lead role, Wawachi Kannan. But the events are not like each other but are like slices of Vegeta. The character’s personality does not hold much stability and integrity even when the film is over.
There are attempts to ridicule the rationalist movement, the CPK, the Left political party, its activities and the code of renaissance in all parts of the film. But none of these efforts have the power of satire or the enjoyment of social media trolls. Satire’s strength is that everyone, including those who are criticized, is charged. That is why a film like Sandesham survives after thirty years. 41 But give us a feeling of what it is like to be a stray dog.
In the second half, the film (as it claims) sets the face of piety and reason. Here again neither the director nor the writer is able to express his views. The film fails to provide a credible backdrop for the ‘Ullas Mash Sabarimala’. The events of Wawachi Kannan and Ullas’s journey and the mountaineering are wandering like a broken kite. Let’s leave Pragyesh writing the first script. The final climax and climax of the 25th film is not a proud one for Lal Jose. But it was not worth the effort. Why? That’s what I don’t understand.
Forty-one highlights are the performance of Bijumenon, the cheesy mashup, and the over-the-top Wawachchikan character, though there are many inconsistencies in the personality of the characters. Though the film doesn’t quite feel the spark of confrontation of logic and devotion, the tension is on the face of actor Biju Menon. Vaavachi Kannan’s debut film has become an entry into Malayalam cinema by actor Saranjit. Nimisha Sajayan crosses the character and leaves the screen.
The cinematography is by S Kumar. Remembering the visuals of early Lal Jose films is like trying to get something ready. Something quickly disappears or something of a taint of the image. That’s the whole thing of technicians. The bottom line is the boiled sambar for something.